Skip to main content

Silent Light (2007): Movie Review

The Nature of Love

Movie: Silent Light

Dir: Carlos Reygadas


   On the surface, Silent Light tells the story of the dilemma and pain involved when Johann seriously falls in love with Marrianne while he is still married to Esther. Theirs is a very Christian family in which a day begins with a silent prayer before having their food (be it cornflakes in the dining table or tacos on the back of a pickup) and Johann is this family man who can't afford to be one with Marrianne for the sake of maintaining the peace of his own household.

   The Mexican countryside is peaceful and the only turbulence that seems to be disturbing this state of calm is the turbulence of love. “Peace is stronger than love” says Marrianne when she opines that they should call it quits after a brief episode of making love, maybe for the first and the last time. The sensual and caring nature of touch gains it’s own significance, be it while Johann shampoos his kids, massages their feet or while tenderly caressing Marianne. I couldn’t resist myself from getting reminded of the beautiful landscapes and sensual tangibles of a Terrence Malick movie (it might also be because I am more acquainted with his films as this is my first Carlos Reygadas film as a viewer). But unlike a Malick film which is profuse with voiceovers and Lubeski's running camera, Silent Light makes us to observe the nature and its landscapes before asking us to root for characters and the ensuing action. It’s a kind of detached filmmaking that doesn’t want to disrupt the calm that is on display. My favourite bit of the film was the driving scene where the husband and wife has a conversation about how things have turned bad in their relationship, while the car is driving on amidst the cornfields, with a sky full of dark clouds ready to pour down. And it does eventually crash down mercilessly, in an attempt to be one with the emotional turmoil of the people involved, in a rather unpretentious manner, rather than being overtly dramatic.


   In the end, Silent Light is a pleasant film about the agony of love and how no one can foretell or change what fate or the Grace of God( as Johann’s father states that everything works according to His plans) has in store. Barry Jenkins’s once went to the extent of praising it  without any bounds and calling it the best film of 21st century. I watched it while it was raining outside (not that it should be watched in the rainy season alone 🤤) and the state of calm the movie induces drove me into a pleasant mood of gleeful brooding. It's a fine film.👍


Comments

Popular posts from this blog

Movie Review: Ichi the Killer (2001)

A Wrong Movie for the Wrong Times Movie: Ichi the Killer Dir: Takashi Miike     Ichi the Killer is devoid of any of the morals that we are conditioned to watch in movies and is regressively violent all through its length. Takashi Miike is in for a two hour long self-indulgent exploratory trip on the nuances of human violence, and the fact that he doesn’t care at all, brings forth a sense of awful disgust in the mind of an ordinary film goer(that includes me) all through the film.     The film begins with Ichi, an insecure young man playing the peeping tom on the balcony of a couple. Ichi is gaining pleasure out of the man's act of thrashing up his girlfriend’s face, which consequently makes him to jerk off vigorously and end up ejaculating himself on a potted plant. The title of the film strangely emerges from the puddle of semen that dripped fresh off the plant. What ensues is an aesthetically catchy and merciless gore-fest to which every single character of ...

Movie Review: Kaathal (2023)

A Tale of Acceptance Movie: Kaathal - The Core Dir: Jeo Baby     Kaathal is both emotionally draining and uplifting at the same time. Almost every major character in the film exhibits a face filled with pent-up emotions waiting to burst out into uglier forms, which surprisingly doesn't happen. But the beauty of the film is that when the emotional blast does come towards the end, it arrives with rather kinder tones of acceptance, letting go and setting everyone free. Both Mathew played by Mammoty and Omana by Jyothika are portrayed as a stone-cold couple who talk very little and emote very little shades of delight in their faces. Their physical self doesn't loosen up from the rigidity till the closing scenes of the film when they have found the closure they've been yearning for.    While Great Indian Kitchen was about setting oneself free from oppression when patriarchy tried its best to pin down the woman of the story, his subsequent film Sreedhanya Catering Service ...

Movie Review: Vagabond (1985)

Woman on the Road Movie: Vagabond Dir: Agnès Varda    Brimming with humanity, Vagabond tells the bum-like life of a vagrant girl called Mona. With unflinching resilience and courage to lead on with her life of independence and cool-headedness, she accompanies people she meets along the way, only to split with them after a while.    The movie begins with someone  finding Mona in a gutter, lying all frozen and stained with the purple of wine dreg. What ensues is a peep into her life before the incident, starting with her arrival into that place from a beach. We get to know Mona through flashbacks emanating from the confessions of the people whom she met along the road. All of them remembers her clearly, as she is that girl which either someone's mother doesn’t want her daughter to become or was a pain in the ass for another person who offered her help.     Agnès Varda , who made the brilliant Cleo from 5 to 7 that showed the life of a lady who roams th...